Press

Cineuropa

Cinemarket offers a secure 24/7 digital film market

Screen Anarchy

Los Cabos Interview with director Andres Kaiser

Feral

Vice

Inside Walk for Me -A Heart Stopping Film about Motherhood...

Walk for Me

Rue Morgue

MOCKUMENTARY “FERAL” IGNITES IRE AND FIRE

Feral

Indie NYC

Filmmaker interview with Sam de Jong

Marc Jacobs

POV Magazine

Henry Glassie Fieldwork

Henry Glassie-Field Work

Birth Movies Death

COSMIC CANDY Is A Charming Ode To Growing Up And...

Cosmic Candy

Cineuropa

Pilgrimage review

Pilgrimage

Nightmarish Conjurings

Brooklyn Horror Film Festival review

The Yellow Night

Roger Ebert.com

I Believe in Unicorns review

I Believe in Unicorns

POV Magazine

Ksenia Okhapkina’s debut feature hypnotizes

Immortal

Vice

Watch the Short Film ‘Marc Jacobs,’ Which Has Nothing to...

Marc Jacobs

Dread Central

Murderous Swedes vs a Bestselling Author

Blood Paradise

Mousse Magazine

Yuri Ancarani

San Siro

NY Times

It’s His World, She was just Filming it

Billy the Kid

Keeping-it-Reel

Barry Gifford’s Chicago – Review

Roy’s World – Barry Gifford’s Chicago

The Guardian

Sisters With Transistors: inside the fascinating film about electronic music’s...

Sisters with Transistors

Chicamod

Red Leaves review

Red Leaves

Dread Central

The White Devil Casts a Spell on Latin America

The White Devil

TIFF

Cast and Crew Q&A

Henry Glassie-Field Work

Hollywood Reporter

Crumbs Rotterdam Review

Crumbs

Film at Lincoln Center

World Premiere @ Scary Movies Fest

Blood Paradise

Mubi Notebook

Jessie Jeffrey Dunn Rovinelli introduces her film So Pretty

So Pretty

Variety

Improbable connections and shifting identities abound in this enigmatic, intimate,...

Cronofobia

Spike Art Magazine

Artoffline by Manuel Correa

Artoffline

Horror Happens Radio

Filmmaker Andres Kaiser talks with “faux” Mexican doc Feral at...

Feral

Hollywood Soapbox

Mambo Cool review

Mambo Cool

Film Icon Journal

An Interview with Syllas Tzoumerkas

A Blast

DCA.org

Looking Awry: Don’t Look At Me That Way

Don’t Look at me That Way

Rushprint

Director to Watch: Marie Grahto Sorensen on Daimi

Daimi

Another Gaze

Review – Nele Wohlatz’ The Future Perfect

The Future Perfect

Filmmaker Magazine

Jennifer Venditti’s Billy the Kid

Billy the Kid

Hollywood reporter review

Sundance’s Soldate Jeanette

Soldate Jeanette

Rage Monthly

SNUGGLE UP TO ‘CUBBY’: THE ECCENTRIC, LOVABLE LGBTQ FEATURE DEBUT...

Cubby

Hollywood Reporter

Mouton review

Mouton

E-Flux

Femme as in Fuck You

So Pretty

Indiewire

Sundance review -White Shadow

White Shadow

LA Times

Review: Meet Leather-Man, the imaginary friend in quirky Brooklyn dramedy...

Cubby

Women and Hollywood

Film Fatales Launches First International Digital Film Market for Women,...

Hollywood Reporter

A Blast- Istanbul Review

A Blast

Cineuropa

Bright Future Competition -For the Time Being review

Third Coast Review

The Joneses’ clip Doc NYC

The Joneses

Sounds and Colors

Feral

Feral

Variety

First Cut Plus, Cinemarket Build on Karlovy Vary Program With...

Deadline

Berlin Premiere ‘Eyimofe (This is My Desire)’ Lands Sales Deal

Eyimofe (This is My Desire)

Variety

Noaz Deshe’s stunning debut-White Shadow

White Shadow

Variety

striking soph feature tackles Greece’s ongoing financial crisis with aggressive...

A Blast

In the Seats

CONTEMPLATIVE AND THEN SOME: OUR REVIEW OF ‘MOVEMENTS OF A...

Movements of a Nearby Mountain

The Guardian

Sisters With Transistors review – an electrifying study of musical...

Sisters with Transistors

E-Flux

Misho Antadze’s The Harvest

The Harvest

East European Film Bulletin

Perspectives on Misho Antadze’s The Harvest

The Harvest

Variety

Reviews-The Future Perfect

The Future Perfect

Reviews by Amos Lassen

A Split-Narrative Character Study

Agony

Shadow and Act

Crumbs: First Ever Ethiopian Post-Apocalyptic Surreal Sci-Fi Feature Length Film...

Crumbs

NY Times

Crumbs

Crumbs

Progressive.org

The Shape of Now

The Shape of Now

Ubiquarian

Review: Movements of a Nearby Mountain (2019), by Sebastian Brameshuber

Movements of a Nearby Mountain

Eye for Film

Interview with Rob Christopher about Roys World by Jennie Kermode

Roy’s World – Barry Gifford’s Chicago

MUBI Notebook

Nele Wohlatz introduces the Future Perfect

The Future Perfect

Dread Central

Darkly beautiful descent into a doomed Family

Family

Indiewire

” Punchy, Difficult, Allegorically Urgent Greek Tragedy ‘A Blast’”

A Blast

Film at Lincoln Center

Q&A with Patrick von Barkenberg and Andrea Winter

Blood Paradise

Criterion Cast

Sisters With Transistors

Sisters with Transistors

Remezcla

Paola Mendoza takes her immigrant experience from the screen to...

Entre Nos

Cineuropa

Alice De Luca and Giacomo Raffaelli’s first film Ernesto is...

Ernesto

The Film Stage

Roy’s World: Barry Gifford’s Chicago Review: A Beautiful City Symphony

Roy’s World – Barry Gifford’s Chicago

Horror News

Home is Where the Hurt Is

Family

Close Up Culture

Director Ksenia Okhapkina Talks ‘Immortal’ And Mechanisms Of Control In...

Immortal

NYTimes

A Princess Meets her punk Prince Charming in I Believe...

I Believe in Unicorns

The Film Stage

My Mexican Bretzel plays like an inversrion of Stories We...

My Mexican Bretzel

Morbidly Beautiful

“THE YELLOW NIGHT” IS AN INTERESTING EXPLORATION OF A COMMON...

The Yellow Night

Offscreen.com

An interview with David Clay Diaz

Agony

Brooklyn Rail

Interview with Caroline Golum

A Feast of Man

Daily Dead

Andres Kaiser on Creating the Docu-Style Horrors of Feral

Feral

Slash Film

You’ve Never Seen a Zombie Movie Like This

Die Kinder Der Toten (Children of the Dead)

Trust Movies

On video — at last — Richard Brouillette’s brilliant, necessary...

Oncle Bernard

Screen Slate

A Feast of Man

A Feast of Man

Letterboxd

Falling Star

Falling Star

FilmIreland.net

Henry Glassie review

Henry Glassie-Field Work

WPIX 11

Actor, director Mark Blane

Cubby

25 Years Later

Exclusive- Roy’s World Barry Gifford’s Chicago

Roy’s World – Barry Gifford’s Chicago

Raindance Q&A

director Mathieu Denis

Laurentie

Film Comment

Interview with Gilles de Roo and Marianne Pistone

Mouton

Cineuropa

Don’t Look at Me That Way review

Don’t Look at me That Way

Screen Daily

Barry Gifford’s Chicago – Glasgow Review

Roy’s World – Barry Gifford’s Chicago

Electronic Groove

Sisters with Transistors

Sisters with Transistors

Filmmaker Magazine

Interview with Daniel Hoesl

Soldate Jeanette

Variety

Blockchain-Based Rights Trading Platform Cinemarket Launches at Cannes

Chicago Maroon

Ayiti Mon Amour” Brings Magic and Mystery to Latino Film...

Ayiti Mon Amour

Villa Aurora

Review by Amos Lassen

Don’t Look at me That Way

NY Times

An Immigrant Story

Entre Nos

Film Comment

Future Perfect

The Future Perfect

Aced Magazine

Blood Paradise, Farmer Hell

Blood Paradise

Gingernuts of Horror

Interview with Feral director Andres Kaiser

Feral

Chicago Tribune

The Future Perfect

The Future Perfect

NYTimes

The Future Perfect review

The Future Perfect

Hollywood Reporter

Suffering of Ninko review

The Suffering of Ninko

NME

‘Sisters With Transistors’ review: music’s forgotten female electro pioneers

Sisters with Transistors

Art4D

#Artoffline

Artoffline

Frieze

Yuri Ancarani’s Drifting Youth

San Vittore

Docs in Orbit

Interview with Lisa Rovner

Sisters with Transistors

Indiewire

The Kid is Alright

Billy the Kid

AFI Fest

Full interview with Lisa Rovner

Sisters with Transistors

Teddy Awards

Interview at the Teddy Awards

So Pretty

Dazed Digital

The film exploring the avante-garde female pioneers of electronic music

Sisters with Transistors

Reviews by Amos Lassen

Damned Summer

Damned Summer

Pop Matters

Bill the Kid review

Billy the Kid

Filmmaker Magazine

“Something Stupid, Like Ninja Turtles, Could be Something Magical in...

Crumbs

Southern Spaces

Homemade Mississippi

The Joneses

Screen Anarchy

Damned Summer-Shoestring Budget Filmmaking at its most earnest

Damned Summer

Modern Horrors

Veronica Kedar’s beautifully horrific Family

Family

Film School Radio

Guetty Felin director of Ayiti Mon Amour

Ayiti Mon Amour

Build Series

Patricia Richardson, Mark Blane & Ben Mankoff On Their Dramedy...

Cubby

Indiewire

The Joneses’ clip Doc NYC

The Joneses

Filmmaker Magazine

25 New Faces of Independent Film

So Pretty

Variety

Luis Minarro on his fiction directorial debut, Falling Star

Falling Star

Culturedmag

Manuel Correa reckons Violence and Memory

The Shape of Now

FilmDaze

Terra Franca review

Terra Franca

Variety

Mar del Plata’s Works in Progress Awards Chris Gude’s ‘Morichales’

Morichales

The Skinny

Cronofobia- One of the most memorable films of the year

Cronofobia

Reviews by Amos Lassen

Portugese sailors sail East

Pilgrimage

Spectacle Theater

A Feast of Man review

A Feast of Man

Filmmaker Magazine

A Movie Where Nobody Wears Clothes and It’s PG-Rated”: Jessie...

So Pretty

Film Comment

Interview with Miguel Llanso and Yohannes Feleke

Crumbs

NYTimes

Amplifying the Women Who Pushed Synthesizers Into the Future

Sisters with Transistors

Cineuropa

Damned Summer-Portrait of an Elusive Generation

Damned Summer

Trust Movies

Soldate Jeanette review

Soldate Jeanette

Reely Dope

Ayiti Mon Amour

Ayiti Mon Amour

World Socialist Website

Billy the Kid: Can you see inside me?

Billy the Kid

Cineuropa

Movements of a Nearby Mountain review

Movements of a Nearby Mountain

ScreenDaily

Interview with Bazi Gete

Red Leaves

Rough Cut Film

Billy the Kid-In His Own Words

Billy the Kid

Agnes Films

I Believe in Unicorns review

I Believe in Unicorns

Tadias.com review

Bazi Gete’s Red Leaves

Red Leaves

Black Girl Nerds

Interview with Andres Kaiser Director of Feral

Feral

A Movie Guy

Roy’s World review

Roy’s World – Barry Gifford’s Chicago

Cinemascope

Interview with Gilles de Roo and Marianne Pistone

Mouton

Cinema without Borders

An Interview with Pedro Cabeleira

Damned Summer

Filmmaker Magazine

“Opening Up a Space Where the Questioning of Power is...

El Padre Medico

Desistfilm.com

Manuel Correa’s Shape of Now expands truth

The Shape of Now

The Playlist

Indie Beats chats Feast director Caroline Golum

A Feast of Man

Variety

Vesoul and Cinemarket Team up for Sales on Mongolian Film...

Okay Africa

Cinema Africa: Miguel Llansó On Directing Ethiopia’s Post-Apocalyptic Sci-fi Film,...

Crumbs

Third Window Films

Suffering of Ninko review

The Suffering of Ninko