Press

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    ” Punchy, Difficult, Allegorically Urgent Greek Tragedy ‘A Blast’”

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    Yuri Ancarani’s Drifting Youth

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    Paola Mendoza takes her immigrant experience from the screen to...

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    World Premiere @ Scary Movies Fest

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    LA Times

    Review: Meet Leather-Man, the imaginary friend in quirky Brooklyn dramedy...

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    Mousse Magazine

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    Billy the Kid-In His Own Words

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    Variety

    Luis Minarro on his fiction directorial debut, Falling Star

    Falling Star

    Vice

    Watch the Short Film ‘Marc Jacobs,’ Which Has Nothing to...

    Marc Jacobs

    Chicago Maroon

    Ayiti Mon Amour” Brings Magic and Mystery to Latino Film...

    Ayiti Mon Amour

    Aced Magazine

    Blood Paradise, Farmer Hell

    Blood Paradise

    Cineuropa

    Pilgrimage review

    Pilgrimage

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    Darkly beautiful descent into a doomed Family

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    Misho Antadze’s The Harvest

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    NYTimes

    The Future Perfect review

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    Rage Monthly

    SNUGGLE UP TO ‘CUBBY’: THE ECCENTRIC, LOVABLE LGBTQ FEATURE DEBUT...

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    An interview with David Clay Diaz

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    Mar del Plata’s Works in Progress Awards Chris Gude’s ‘Morichales’

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    Variety

    Vesoul and Cinemarket Team up for Sales on Mongolian Film...

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    NME

    ‘Sisters With Transistors’ review: music’s forgotten female electro pioneers

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    Okay Africa

    Cinema Africa: Miguel Llansó On Directing Ethiopia’s Post-Apocalyptic Sci-fi Film,...

    Crumbs

    Indiewire

    The Joneses’ clip Doc NYC

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    Horror Happens Radio

    Filmmaker Andres Kaiser talks with “faux” Mexican doc Feral at...

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    NY Times

    It’s His World, She was just Filming it

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    Hollywood Soapbox

    Mambo Cool review

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    Variety

    Reviews-The Future Perfect

    The Future Perfect

    Modern Horrors

    Veronica Kedar’s beautifully horrific Family

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    Electronic Groove

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    Sisters with Transistors

    Film Comment

    Future Perfect

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    FilmDaze

    Terra Franca review

    Terra Franca

    Cinemascope

    Interview with Gilles de Roo and Marianne Pistone

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    Mubi Notebook

    Jessie Jeffrey Dunn Rovinelli introduces her film So Pretty

    So Pretty

    MUBI Notebook

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    The Future Perfect

    Indie NYC

    Filmmaker interview with Sam de Jong

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    E-Flux

    Femme as in Fuck You

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    Variety

    striking soph feature tackles Greece’s ongoing financial crisis with aggressive...

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    Cineuropa

    Don’t Look at Me That Way review

    Don’t Look at me That Way

    Filmmaker Magazine

    “Opening Up a Space Where the Questioning of Power is...

    El Padre Medico

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    Crumbs Rotterdam Review

    Crumbs

    NY Times

    Crumbs

    Crumbs

    Black Girl Nerds

    Interview with Andres Kaiser Director of Feral

    Feral

    25 Years Later

    Exclusive- Roy’s World Barry Gifford’s Chicago

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    WPIX 11

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    My Mexican Bretzel plays like an inversrion of Stories We...

    My Mexican Bretzel

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    Bazi Gete’s Red Leaves

    Red Leaves

    Screen Daily

    Barry Gifford’s Chicago – Glasgow Review

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    Desistfilm.com

    Manuel Correa’s Shape of Now expands truth

    The Shape of Now

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    An Interview with Pedro Cabeleira

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    Chicago Tribune

    The Future Perfect

    The Future Perfect

    Eye for Film

    Interview with Rob Christopher about Roys World by Jennie Kermode

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    Director Ksenia Okhapkina Talks ‘Immortal’ And Mechanisms Of Control In...

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    Murderous Swedes vs a Bestselling Author

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    Crumbs: First Ever Ethiopian Post-Apocalyptic Surreal Sci-Fi Feature Length Film...

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    Build Series

    Patricia Richardson, Mark Blane & Ben Mankoff On Their Dramedy...

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    Third Coast Review

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    The Guardian

    Sisters With Transistors review – an electrifying study of musical...

    Sisters with Transistors

    Screen Anarchy

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    Feral

    Dazed Digital

    The film exploring the avante-garde female pioneers of electronic music

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    Letterboxd

    Falling Star

    Falling Star

    Sounds and Colors

    Feral

    Feral

    Daily Dead

    Andres Kaiser on Creating the Docu-Style Horrors of Feral

    Feral

    Variety

    Improbable connections and shifting identities abound in this enigmatic, intimate,...

    Cronofobia

    Cineuropa

    Bright Future Competition -For the Time Being review

    Vice

    Inside Walk for Me -A Heart Stopping Film about Motherhood...

    Walk for Me

    Villa Aurora

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    Don’t Look at me That Way

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    The White Devil Casts a Spell on Latin America

    The White Devil

    DCA.org

    Looking Awry: Don’t Look At Me That Way

    Don’t Look at me That Way

    FilmIreland.net

    Henry Glassie review

    Henry Glassie-Field Work

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    Interview with Daniel Hoesl

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    Berlin Premiere ‘Eyimofe (This is My Desire)’ Lands Sales Deal

    Eyimofe (This is My Desire)

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    Jennifer Venditti’s Billy the Kid

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    A Split-Narrative Character Study

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    Women and Hollywood

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    Noaz Deshe’s stunning debut-White Shadow

    White Shadow

    Film Comment

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    Indie Beats chats Feast director Caroline Golum

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    Cronofobia- One of the most memorable films of the year

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    A Feast of Man

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    #Artoffline

    Artoffline

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    Ayiti Mon Amour

    Slash Film

    You’ve Never Seen a Zombie Movie Like This

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    “Something Stupid, Like Ninja Turtles, Could be Something Magical in...

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    Mouton

    Culturedmag

    Manuel Correa reckons Violence and Memory

    The Shape of Now

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    Blockchain-Based Rights Trading Platform Cinemarket Launches at Cannes

    Cineuropa

    Cinemarket offers a secure 24/7 digital film market

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    Damned Summer

    Damned Summer

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    Ernesto

    Screen Slate

    A Feast of Man

    A Feast of Man

    The Guardian

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    Sisters with Transistors

    East European Film Bulletin

    Perspectives on Misho Antadze’s The Harvest

    The Harvest

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    Henry Glassie Fieldwork

    Henry Glassie-Field Work

    Agnes Films

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    I Believe in Unicorns

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    An Immigrant Story

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    Screen Anarchy

    Damned Summer-Shoestring Budget Filmmaking at its most earnest

    Damned Summer

    Another Gaze

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    Nightmarish Conjurings

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    Progressive.org

    The Shape of Now

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    Morbidly Beautiful

    “THE YELLOW NIGHT” IS AN INTERESTING EXPLORATION OF A COMMON...

    The Yellow Night

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    Damned Summer-Portrait of an Elusive Generation

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    A Movie Where Nobody Wears Clothes and It’s PG-Rated”: Jessie...

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    AFI Fest

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    Soldate Jeanette review

    Soldate Jeanette

    In the Seats

    CONTEMPLATIVE AND THEN SOME: OUR REVIEW OF ‘MOVEMENTS OF A...

    Movements of a Nearby Mountain

    Hollywood Reporter

    Suffering of Ninko review

    The Suffering of Ninko

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    Barry Gifford’s Chicago – Review

    Roy’s World – Barry Gifford’s Chicago

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    Homemade Mississippi

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    ScreenDaily

    Interview with Bazi Gete

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    Film School Radio

    Guetty Felin director of Ayiti Mon Amour

    Ayiti Mon Amour

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    Amplifying the Women Who Pushed Synthesizers Into the Future

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    On video — at last — Richard Brouillette’s brilliant, necessary...

    Oncle Bernard

    Ubiquarian

    Review: Movements of a Nearby Mountain (2019), by Sebastian Brameshuber

    Movements of a Nearby Mountain

    World Socialist Website

    Billy the Kid: Can you see inside me?

    Billy the Kid

    Brooklyn Rail

    Interview with Caroline Golum

    A Feast of Man

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    A Princess Meets her punk Prince Charming in I Believe...

    I Believe in Unicorns

    A Movie Guy

    Roy’s World review

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    Teddy Awards

    Interview at the Teddy Awards

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    Birth Movies Death

    COSMIC CANDY Is A Charming Ode To Growing Up And...

    Cosmic Candy

    Roger Ebert.com

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    I Believe in Unicorns

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    25 New Faces of Independent Film

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    Hollywood reporter review

    Sundance’s Soldate Jeanette

    Soldate Jeanette

    TIFF

    Cast and Crew Q&A

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    Horror News

    Home is Where the Hurt Is

    Family

    Indiewire

    The Kid is Alright

    Billy the Kid

    Chicamod

    Red Leaves review

    Red Leaves

    POV Magazine

    Ksenia Okhapkina’s debut feature hypnotizes

    Immortal

    Film at Lincoln Center

    Q&A with Patrick von Barkenberg and Andrea Winter

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    Hollywood Reporter

    A Blast- Istanbul Review

    A Blast

    Film Comment

    Interview with Miguel Llanso and Yohannes Feleke

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    Rushprint

    Director to Watch: Marie Grahto Sorensen on Daimi

    Daimi

    Indiewire

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    White Shadow

    Spike Art Magazine

    Artoffline by Manuel Correa

    Artoffline

    The Film Stage

    Roy’s World: Barry Gifford’s Chicago Review: A Beautiful City Symphony

    Roy’s World – Barry Gifford’s Chicago