Press

    Cineuropa

    Pilgrimage review

    Pilgrimage

    NY Times

    It’s His World, She was just Filming it

    Billy the Kid

    Offscreen.com

    An interview with David Clay Diaz

    Agony

    Mubi Notebook

    Jessie Jeffrey Dunn Rovinelli introduces her film So Pretty

    So Pretty

    The Film Stage

    Roy’s World: Barry Gifford’s Chicago Review: A Beautiful City Symphony

    Roy’s World – Barry Gifford’s Chicago

    NY Times

    An Immigrant Story

    Entre Nos

    AFI Fest

    Full interview with Lisa Rovner

    Sisters with Transistors

    Third Window Films

    Suffering of Ninko review

    The Suffering of Ninko

    Rue Morgue

    MOCKUMENTARY “FERAL” IGNITES IRE AND FIRE

    Feral

    E-Flux

    Misho Antadze’s The Harvest

    The Harvest

    Chicamod

    Red Leaves review

    Red Leaves

    Close Up Culture

    Director Ksenia Okhapkina Talks ‘Immortal’ And Mechanisms Of Control In...

    Immortal

    Eye for Film

    Interview with Rob Christopher about Roys World by Jennie Kermode

    Roy’s World – Barry Gifford’s Chicago

    Variety

    Improbable connections and shifting identities abound in this enigmatic, intimate,...

    Cronofobia

    Rushprint

    Director to Watch: Marie Grahto Sorensen on Daimi

    Daimi

    Okay Africa

    Cinema Africa: Miguel Llansó On Directing Ethiopia’s Post-Apocalyptic Sci-fi Film,...

    Crumbs

    Filmmaker Magazine

    “Opening Up a Space Where the Questioning of Power is...

    El Padre Medico

    The Skinny

    Cronofobia- One of the most memorable films of the year

    Cronofobia

    Reely Dope

    Ayiti Mon Amour

    Ayiti Mon Amour

    The Guardian

    Sisters With Transistors review – an electrifying study of musical...

    Sisters with Transistors

    Film Icon Journal

    An Interview with Syllas Tzoumerkas

    A Blast

    NME

    ‘Sisters With Transistors’ review: music’s forgotten female electro pioneers

    Sisters with Transistors

    Nightmarish Conjurings

    Brooklyn Horror Film Festival review

    The Yellow Night

    Spectacle Theater

    A Feast of Man review

    A Feast of Man

    Dread Central

    Murderous Swedes vs a Bestselling Author

    Blood Paradise

    Aced Magazine

    Blood Paradise, Farmer Hell

    Blood Paradise

    Variety

    Vesoul and Cinemarket Team up for Sales on Mongolian Film...

    Reviews by Amos Lassen

    Damned Summer

    Damned Summer

    LA Times

    Review: Meet Leather-Man, the imaginary friend in quirky Brooklyn dramedy...

    Cubby

    Indie NYC

    Filmmaker interview with Sam de Jong

    Marc Jacobs

    Rage Monthly

    SNUGGLE UP TO ‘CUBBY’: THE ECCENTRIC, LOVABLE LGBTQ FEATURE DEBUT...

    Cubby

    Culturedmag

    Manuel Correa reckons Violence and Memory

    The Shape of Now

    Indiewire

    Sundance review -White Shadow

    White Shadow

    Variety

    Noaz Deshe’s stunning debut-White Shadow

    White Shadow

    NYTimes

    The Future Perfect review

    The Future Perfect

    Progressive.org

    The Shape of Now

    The Shape of Now

    Roger Ebert.com

    I Believe in Unicorns review

    I Believe in Unicorns

    Film Comment

    Future Perfect

    The Future Perfect

    Cineuropa

    Movements of a Nearby Mountain review

    Movements of a Nearby Mountain

    Slash Film

    You’ve Never Seen a Zombie Movie Like This

    Die Kinder Der Toten

    Vice

    Watch the Short Film ‘Marc Jacobs,’ Which Has Nothing to...

    Marc Jacobs

    Deadline

    Berlin Premiere ‘Eyimofe (This is My Desire)’ Lands Sales Deal

    Eyimofe (This is My Desire)

    FilmDaze

    Terra Franca review

    Terra Franca

    Screen Anarchy

    Damned Summer-Shoestring Budget Filmmaking at its most earnest

    Damned Summer

    Variety

    striking soph feature tackles Greece’s ongoing financial crisis with aggressive...

    A Blast

    Hollywood Reporter

    Mouton review

    Mouton

    Third Coast Review

    The Joneses’ clip Doc NYC

    The Joneses

    Filmmaker Magazine

    “Something Stupid, Like Ninja Turtles, Could be Something Magical in...

    Crumbs

    A Movie Guy

    Roy’s World review

    Roy’s World – Barry Gifford’s Chicago

    East European Film Bulletin

    Perspectives on Misho Antadze’s The Harvest

    The Harvest

    Modern Horrors

    Veronica Kedar’s beautifully horrific Family

    Family

    Vice

    Inside Walk for Me -A Heart Stopping Film about Motherhood...

    Walk for Me

    The Playlist

    Indie Beats chats Feast director Caroline Golum

    A Feast of Man

    Film at Lincoln Center

    Q&A with Patrick von Barkenberg and Andrea Winter

    Blood Paradise

    Screen Slate

    A Feast of Man

    A Feast of Man

    Sounds and Colors

    Feral

    Feral

    Variety

    Mar del Plata’s Works in Progress Awards Chris Gude’s ‘Morichales’

    Morichales

    Hollywood Soapbox

    Mambo Cool review

    Mambo Cool

    FilmIreland.net

    Henry Glassie review

    Henry Glassie-Field Work

    Chicago Maroon

    Ayiti Mon Amour” Brings Magic and Mystery to Latino Film...

    Ayiti Mon Amour

    POV Magazine

    Ksenia Okhapkina’s debut feature hypnotizes

    Immortal

    NYTimes

    A Princess Meets her punk Prince Charming in I Believe...

    I Believe in Unicorns

    Reviews by Amos Lassen

    A Split-Narrative Character Study

    Agony

    Desistfilm.com

    Manuel Correa’s Shape of Now expands truth

    The Shape of Now

    Cinema without Borders

    An Interview with Pedro Cabeleira

    Damned Summer

    Morbidly Beautiful

    “THE YELLOW NIGHT” IS AN INTERESTING EXPLORATION OF A COMMON...

    The Yellow Night

    Agnes Films

    I Believe in Unicorns review

    I Believe in Unicorns

    Frieze

    Yuri Ancarani’s Drifting Youth

    San Vittore

    Teddy Awards

    Interview at the Teddy Awards

    So Pretty

    Indiewire

    The Kid is Alright

    Billy the Kid

    Film School Radio

    Guetty Felin director of Ayiti Mon Amour

    Ayiti Mon Amour

    Horror Happens Radio

    Filmmaker Andres Kaiser talks with “faux” Mexican doc Feral at...

    Feral

    Trust Movies

    On video — at last — Richard Brouillette’s brilliant, necessary...

    Oncle Bernard

    Reviews by Amos Lassen

    Portugese sailors sail East

    Pilgrimage

    The Film Stage

    My Mexican Bretzel plays like an inversrion of Stories We...

    My Mexican Bretzel

    Hollywood Reporter

    Suffering of Ninko review

    The Suffering of Ninko

    Hollywood Reporter

    A Blast- Istanbul Review

    A Blast

    ScreenDaily

    Interview with Bazi Gete

    Red Leaves

    Black Girl Nerds

    Interview with Andres Kaiser Director of Feral

    Feral

    POV Magazine

    Henry Glassie Fieldwork

    Henry Glassie-Field Work

    Indiewire

    ” Punchy, Difficult, Allegorically Urgent Greek Tragedy ‘A Blast’”

    A Blast

    Another Gaze

    Review – Nele Wohlatz’ The Future Perfect

    The Future Perfect

    25 Years Later

    Exclusive- Roy’s World Barry Gifford’s Chicago

    Roy’s World – Barry Gifford’s Chicago

    Pop Matters

    Bill the Kid review

    Billy the Kid

    Filmmaker Magazine

    Jennifer Venditti’s Billy the Kid

    Billy the Kid

    Indiewire

    The Joneses’ clip Doc NYC

    The Joneses

    DCA.org

    Looking Awry: Don’t Look At Me That Way

    Don’t Look at me That Way

    Keeping-it-Reel

    Barry Gifford’s Chicago – Review

    Roy’s World – Barry Gifford’s Chicago

    NYTimes

    Amplifying the Women Who Pushed Synthesizers Into the Future

    Sisters with Transistors

    Film Comment

    Interview with Miguel Llanso and Yohannes Feleke

    Crumbs

    Shadow and Act

    Crumbs: First Ever Ethiopian Post-Apocalyptic Surreal Sci-Fi Feature Length Film...

    Crumbs

    Filmmaker Magazine

    25 New Faces of Independent Film

    So Pretty

    World Socialist Website

    Billy the Kid: Can you see inside me?

    Billy the Kid

    Build Series

    Patricia Richardson, Mark Blane & Ben Mankoff On Their Dramedy...

    Cubby

    Variety

    Reviews-The Future Perfect

    The Future Perfect

    Cineuropa

    Don’t Look at Me That Way review

    Don’t Look at me That Way

    Filmmaker Magazine

    Interview with Daniel Hoesl

    Soldate Jeanette

    Chicago Tribune

    The Future Perfect

    The Future Perfect

    Horror News

    Home is Where the Hurt Is

    Family

    Cineuropa

    Cinemarket offers a secure 24/7 digital film market

    NY Times

    Crumbs

    Crumbs

    WPIX 11

    Actor, director Mark Blane

    Cubby

    Brooklyn Rail

    Interview with Caroline Golum

    A Feast of Man

    Dread Central

    Darkly beautiful descent into a doomed Family

    Family

    Villa Aurora

    Review by Amos Lassen

    Don’t Look at me That Way

    Variety

    Luis Minarro on his fiction directorial debut, Falling Star

    Falling Star

    Raindance Q&A

    director Mathieu Denis

    Laurentie

    Dread Central

    The White Devil Casts a Spell on Latin America

    The White Devil

    Film at Lincoln Center

    World Premiere @ Scary Movies Fest

    Blood Paradise

    Cinemascope

    Interview with Gilles de Roo and Marianne Pistone

    Mouton

    Filmmaker Magazine

    A Movie Where Nobody Wears Clothes and It’s PG-Rated”: Jessie...

    So Pretty

    Mousse Magazine

    Yuri Ancarani

    San Siro

    Cineuropa

    Alice De Luca and Giacomo Raffaelli’s first film Ernesto is...

    Ernesto

    Cineuropa

    Damned Summer-Portrait of an Elusive Generation

    Damned Summer

    Remezcla

    Paola Mendoza takes her immigrant experience from the screen to...

    Entre Nos

    Variety

    First Cut Plus, Cinemarket Build on Karlovy Vary Program With...

    Ubiquarian

    Review: Movements of a Nearby Mountain (2019), by Sebastian Brameshuber

    Movements of a Nearby Mountain

    Film Comment

    Interview with Gilles de Roo and Marianne Pistone

    Mouton

    E-Flux

    Femme as in Fuck You

    So Pretty

    Spike Art Magazine

    Artoffline by Manuel Correa

    Artoffline

    Tadias.com review

    Bazi Gete’s Red Leaves

    Red Leaves

    Electronic Groove

    Sisters with Transistors

    Sisters with Transistors

    Screen Anarchy

    Los Cabos Interview with director Andres Kaiser

    Feral

    Hollywood reporter review

    Sundance’s Soldate Jeanette

    Soldate Jeanette

    Southern Spaces

    Homemade Mississippi

    The Joneses

    TIFF

    Cast and Crew Q&A

    Henry Glassie-Field Work

    Birth Movies Death

    COSMIC CANDY Is A Charming Ode To Growing Up And...

    Cosmic Candy

    Daily Dead

    Andres Kaiser on Creating the Docu-Style Horrors of Feral

    Feral

    Screen Daily

    Barry Gifford’s Chicago – Glasgow Review

    Roy’s World – Barry Gifford’s Chicago

    MUBI Notebook

    Nele Wohlatz introduces the Future Perfect

    The Future Perfect

    Trust Movies

    Soldate Jeanette review

    Soldate Jeanette

    Docs in Orbit

    Interview with Lisa Rovner

    Sisters with Transistors

    Rough Cut Film

    Billy the Kid-In His Own Words

    Billy the Kid

    Variety

    Blockchain-Based Rights Trading Platform Cinemarket Launches at Cannes

    Hollywood Reporter

    Crumbs Rotterdam Review

    Crumbs

    Dazed Digital

    The film exploring the avante-garde female pioneers of electronic music

    Sisters with Transistors

    Criterion Cast

    Sisters With Transistors

    Sisters with Transistors

    The Guardian

    Sisters With Transistors: inside the fascinating film about electronic music’s...

    Sisters with Transistors

    Gingernuts of Horror

    Interview with Feral director Andres Kaiser

    Feral

    Women and Hollywood

    Film Fatales Launches First International Digital Film Market for Women,...

    Art4D

    #Artoffline

    Artoffline

    Letterboxd

    Falling Star

    Falling Star

    In the Seats

    CONTEMPLATIVE AND THEN SOME: OUR REVIEW OF ‘MOVEMENTS OF A...

    Movements of a Nearby Mountain

    Cineuropa

    Bright Future Competition -For the Time Being review

    For the Time Being