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Press
Rough Cut Film
Billy the Kid-In His Own Words
Billy the Kid
DCA.org
Looking Awry: Don’t Look At Me That Way
Don’t Look at me That Way
East European Film Bulletin
Perspectives on Misho Antadze’s The Harvest
The Harvest
Eye for Film
Interview with Rob Christopher about Roys World by Jennie Kermode
Roy’s World – Barry Gifford’s Chicago
Vice
Watch the Short Film ‘Marc Jacobs,’ Which Has Nothing to...
Marc Jacobs
Hollywood Soapbox
Mambo Cool review
Mambo Cool
Keeping-it-Reel
Barry Gifford’s Chicago – Review
Roy’s World – Barry Gifford’s Chicago
Dread Central
Murderous Swedes vs a Bestselling Author
Blood Paradise
TIFF
Cast and Crew Q&A
Henry Glassie-Field Work
Variety
Blockchain-Based Rights Trading Platform Cinemarket Launches at Cannes
Hollywood Reporter
Suffering of Ninko review
The Suffering of Ninko
Cineuropa
Damned Summer-Portrait of an Elusive Generation
Damned Summer
Indie NYC
Filmmaker interview with Sam de Jong
Marc Jacobs
NYTimes
A Princess Meets her punk Prince Charming in I Believe...
I Believe in Unicorns
Art4D
#Artoffline
Artoffline
AFI Fest
Full interview with Lisa Rovner
Sisters with Transistors
Film at Lincoln Center
Q&A with Patrick von Barkenberg and Andrea Winter
Blood Paradise
Horror Happens Radio
Filmmaker Andres Kaiser talks with “faux” Mexican doc Feral at...
Feral
Trust Movies
Soldate Jeanette review
Soldate Jeanette
Indiewire
The Kid is Alright
Billy the Kid
Filmmaker Magazine
“Something Stupid, Like Ninja Turtles, Could be Something Magical in...
Crumbs
Roger Ebert.com
I Believe in Unicorns review
I Believe in Unicorns
Electronic Groove
Sisters with Transistors
Sisters with Transistors
Mousse Magazine
Yuri Ancarani
San Siro
NY Times
An Immigrant Story
Entre Nos
Filmmaker Magazine
Jennifer Venditti’s Billy the Kid
Billy the Kid
Chicago Maroon
Ayiti Mon Amour” Brings Magic and Mystery to Latino Film...
Ayiti Mon Amour
Dazed Digital
The film exploring the avante-garde female pioneers of electronic music
Sisters with Transistors
Brooklyn Rail
Interview with Caroline Golum
A Feast of Man
Screen Slate
A Feast of Man
A Feast of Man
Aced Magazine
Blood Paradise, Farmer Hell
Blood Paradise
Nightmarish Conjurings
Brooklyn Horror Film Festival review
The Yellow Night
Rue Morgue
MOCKUMENTARY “FERAL” IGNITES IRE AND FIRE
Feral
Rage Monthly
SNUGGLE UP TO ‘CUBBY’: THE ECCENTRIC, LOVABLE LGBTQ FEATURE DEBUT...
Cubby
Trust Movies
On video — at last — Richard Brouillette’s brilliant, necessary...
Oncle Bernard
Hollywood Reporter
Mouton review
Mouton
Reviews by Amos Lassen
Portugese sailors sail East
Pilgrimage
Dread Central
Darkly beautiful descent into a doomed Family
Family
Mubi Notebook
Jessie Jeffrey Dunn Rovinelli introduces her film So Pretty
So Pretty
Southern Spaces
Homemade Mississippi
The Joneses
Variety
Vesoul and Cinemarket Team up for Sales on Mongolian Film...
Women and Hollywood
Film Fatales Launches First International Digital Film Market for Women,...
WPIX 11
Actor, director Mark Blane
Cubby
NYTimes
The Future Perfect review
The Future Perfect
The Guardian
Sisters With Transistors: inside the fascinating film about electronic music’s...
Sisters with Transistors
Third Window Films
Suffering of Ninko review
The Suffering of Ninko
Reviews by Amos Lassen
A Split-Narrative Character Study
Agony
Frieze
Yuri Ancarani’s Drifting Youth
San Vittore
Hollywood Reporter
A Blast- Istanbul Review
A Blast
Cineuropa
Movements of a Nearby Mountain review
Movements of a Nearby Mountain
Criterion Cast
Sisters With Transistors
Sisters with Transistors
FilmIreland.net
Henry Glassie review
Henry Glassie-Field Work
Ubiquarian
Review: Movements of a Nearby Mountain (2019), by Sebastian Brameshuber
Movements of a Nearby Mountain
Okay Africa
Cinema Africa: Miguel Llansó On Directing Ethiopia’s Post-Apocalyptic Sci-fi Film,...
Crumbs
Chicago Tribune
The Future Perfect
The Future Perfect
Film Comment
Interview with Miguel Llanso and Yohannes Feleke
Crumbs
E-Flux
Femme as in Fuck You
So Pretty
Filmmaker Magazine
Interview with Daniel Hoesl
Soldate Jeanette
NY Times
Crumbs
Crumbs
Birth Movies Death
COSMIC CANDY Is A Charming Ode To Growing Up And...
Cosmic Candy
Cineuropa
Don’t Look at Me That Way review
Don’t Look at me That Way
World Socialist Website
Billy the Kid: Can you see inside me?
Billy the Kid
Vice
Inside Walk for Me -A Heart Stopping Film about Motherhood...
Walk for Me
25 Years Later
Exclusive- Roy’s World Barry Gifford’s Chicago
Roy’s World – Barry Gifford’s Chicago
Variety
Luis Minarro on his fiction directorial debut, Falling Star
Falling Star
FilmDaze
Terra Franca review
Terra Franca
Villa Aurora
Review by Amos Lassen
Don’t Look at me That Way
POV Magazine
Henry Glassie Fieldwork
Henry Glassie-Field Work
Indiewire
The Joneses’ clip Doc NYC
The Joneses
Teddy Awards
Interview at the Teddy Awards
So Pretty
Screen Daily
Barry Gifford’s Chicago – Glasgow Review
Roy’s World – Barry Gifford’s Chicago
Culturedmag
Manuel Correa reckons Violence and Memory
The Shape of Now
Dread Central
The White Devil Casts a Spell on Latin America
The White Devil
Variety
Mar del Plata’s Works in Progress Awards Chris Gude’s ‘Morichales’
Morichales
Spectacle Theater
A Feast of Man review
A Feast of Man
Hollywood Reporter
Crumbs Rotterdam Review
Crumbs
Deadline
Berlin Premiere ‘Eyimofe (This is My Desire)’ Lands Sales Deal
Eyimofe (This is My Desire)
Variety
First Cut Plus, Cinemarket Build on Karlovy Vary Program With...
Agnes Films
I Believe in Unicorns review
I Believe in Unicorns
Pop Matters
Bill the Kid review
Billy the Kid
Docs in Orbit
Interview with Lisa Rovner
Sisters with Transistors
Variety
Noaz Deshe’s stunning debut-White Shadow
White Shadow
Another Gaze
Review – Nele Wohlatz’ The Future Perfect
The Future Perfect
The Playlist
Indie Beats chats Feast director Caroline Golum
A Feast of Man
Reviews by Amos Lassen
Damned Summer
Damned Summer
The Guardian
Sisters With Transistors review – an electrifying study of musical...
Sisters with Transistors
Film School Radio
Guetty Felin director of Ayiti Mon Amour
Ayiti Mon Amour
Film Comment
Interview with Gilles de Roo and Marianne Pistone
Mouton
Variety
Improbable connections and shifting identities abound in this enigmatic, intimate,...
Cronofobia
Filmmaker Magazine
25 New Faces of Independent Film
So Pretty
Filmmaker Magazine
“Opening Up a Space Where the Questioning of Power is...
El Padre Medico
Reely Dope
Ayiti Mon Amour
Ayiti Mon Amour
Remezcla
Paola Mendoza takes her immigrant experience from the screen to...
Entre Nos
Progressive.org
The Shape of Now
The Shape of Now
Daily Dead
Andres Kaiser on Creating the Docu-Style Horrors of Feral
Feral
Close Up Culture
Director Ksenia Okhapkina Talks ‘Immortal’ And Mechanisms Of Control In...
Immortal
Chicamod
Red Leaves review
Red Leaves
Gingernuts of Horror
Interview with Feral director Andres Kaiser
Feral
Desistfilm.com
Manuel Correa’s Shape of Now expands truth
The Shape of Now
The Skinny
Cronofobia- One of the most memorable films of the year
Cronofobia
Build Series
Patricia Richardson, Mark Blane & Ben Mankoff On Their Dramedy...
Cubby
Indiewire
” Punchy, Difficult, Allegorically Urgent Greek Tragedy ‘A Blast’”
A Blast
Film Icon Journal
An Interview with Syllas Tzoumerkas
A Blast
Slash Film
You’ve Never Seen a Zombie Movie Like This
Die Kinder Der Toten
Cineuropa
Bright Future Competition -For the Time Being review
Horror News
Home is Where the Hurt Is
Family
The Film Stage
My Mexican Bretzel plays like an inversrion of Stories We...
My Mexican Bretzel
Cineuropa
Pilgrimage review
Pilgrimage
Spike Art Magazine
Artoffline by Manuel Correa
Artoffline
Cinemascope
Interview with Gilles de Roo and Marianne Pistone
Mouton
Cinema without Borders
An Interview with Pedro Cabeleira
Damned Summer
POV Magazine
Ksenia Okhapkina’s debut feature hypnotizes
Immortal
NME
‘Sisters With Transistors’ review: music’s forgotten female electro pioneers
Sisters with Transistors
Screen Anarchy
Damned Summer-Shoestring Budget Filmmaking at its most earnest
Damned Summer
A Movie Guy
Roy’s World review
Roy’s World – Barry Gifford’s Chicago
Tadias.com review
Bazi Gete’s Red Leaves
Red Leaves
Variety
Reviews-The Future Perfect
The Future Perfect
Screen Anarchy
Los Cabos Interview with director Andres Kaiser
Feral
Morbidly Beautiful
“THE YELLOW NIGHT” IS AN INTERESTING EXPLORATION OF A COMMON...
The Yellow Night
Shadow and Act
Crumbs: First Ever Ethiopian Post-Apocalyptic Surreal Sci-Fi Feature Length Film...
Crumbs
Sounds and Colors
Feral
Feral
Cineuropa
Cinemarket offers a secure 24/7 digital film market
NYTimes
Amplifying the Women Who Pushed Synthesizers Into the Future
Sisters with Transistors
Raindance Q&A
director Mathieu Denis
Laurentie
Rushprint
Director to Watch: Marie Grahto Sorensen on Daimi
Daimi
Film at Lincoln Center
World Premiere @ Scary Movies Fest
Blood Paradise
Cineuropa
Alice De Luca and Giacomo Raffaelli’s first film Ernesto is...
Ernesto
Filmmaker Magazine
A Movie Where Nobody Wears Clothes and It’s PG-Rated”: Jessie...
So Pretty
E-Flux
Misho Antadze’s The Harvest
The Harvest
Third Coast Review
The Joneses’ clip Doc NYC
The Joneses
The Film Stage
Roy’s World: Barry Gifford’s Chicago Review: A Beautiful City Symphony
Roy’s World – Barry Gifford’s Chicago
ScreenDaily
Interview with Bazi Gete
Red Leaves
MUBI Notebook
Nele Wohlatz introduces the Future Perfect
The Future Perfect
Modern Horrors
Veronica Kedar’s beautifully horrific Family
Family
In the Seats
CONTEMPLATIVE AND THEN SOME: OUR REVIEW OF ‘MOVEMENTS OF A...
Movements of a Nearby Mountain
LA Times
Review: Meet Leather-Man, the imaginary friend in quirky Brooklyn dramedy...
Cubby
Offscreen.com
An interview with David Clay Diaz
Agony
Variety
striking soph feature tackles Greece’s ongoing financial crisis with aggressive...
A Blast
Film Comment
Future Perfect
The Future Perfect
Hollywood reporter review
Sundance’s Soldate Jeanette
Soldate Jeanette
Indiewire
Sundance review -White Shadow
White Shadow
Black Girl Nerds
Interview with Andres Kaiser Director of Feral
Feral
NY Times
It’s His World, She was just Filming it
Billy the Kid
Letterboxd
Falling Star
Falling Star
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